Samuel Alcock & Co.
English

Vase

Circa 1860

Transfer-printed earthenware

8 1/4 in. H x 3 3/4 in. Dm

$3,000.00

Essay

Produced by the English pottery Samuel Alcock & Co. in the mid-19th century, this antique Neoclassical vase uniquely combines Antique and Modern styles. The form, a take on the Ancient Greek amphora, presents an elegant and decidedly Classical silhouette. The transferware scene, labeled as “Victors of Public Games fulfilling their Vows in the Temple of Venus” on the piece’s base, was developed from Ancient designs with some adaptations: the figures’ nudity was covered for Victorian sensibilities.

While Alcock produced hundreds of these transferware pieces, this vase is a one-off, its mesmerizing glaze finish a result of misfiring rather than artistic intention. The desired color was a bright royal blue (as these sold at Christies), but kiln troubles created a blotchy blue-and-brown surface reminiscent of natural stone. We cannot be sure of the fate of this vase; it was obviously not discarded, although it certainly would not have been brought to market as a clear aesthetic outlier. Perhaps a factory worker retained it for his personal collection, appreciating it for its strange beauty. Despite the misfiring, the end result makes this vase more appealing than its perfectly produced siblings.

Condition

Excellent.

For a detailed condition report, please contact us.

Provenance

The Collection of Barry R. Harwood and Joseph V. Garry

Produced by the English pottery Samuel Alcock & Co. in the mid-19th century, this antique Neoclassical vase uniquely combines Antique and Modern styles. The form, a take on the Ancient Greek amphora, presents an elegant and decidedly Classical silhouette. The transferware scene, labeled as “Victors of Public Games fulfilling their Vows in the Temple of Venus” on the piece’s base, was developed from Ancient designs with some adaptations: the figures’ nudity was covered for Victorian sensibilities.

While Alcock produced hundreds of these transferware pieces, this vase is a one-off, its mesmerizing glaze finish a result of misfiring rather than artistic intention. The desired color was a bright royal blue (as these sold at Christies), but kiln troubles created a blotchy blue-and-brown surface reminiscent of natural stone. We cannot be sure of the fate of this vase; it was obviously not discarded, although it certainly would not have been brought to market as a clear aesthetic outlier. Perhaps a factory worker retained it for his personal collection, appreciating it for its strange beauty. Despite the misfiring, the end result makes this vase more appealing than its perfectly produced siblings.

Excellent.

For a detailed condition report, please contact us.

The Collection of Barry R. Harwood and Joseph V. Garry

This item ships free to the continental US, and globally for a flat-rate fee of $100.

All objects are packed with utmost care by our team of expert fine art shippers. All items are shipped with parcel insurance.

For more information on our shipping policies, please visit our FAQ Page.

All of our objects look even more stunning in person!

However, in case you are not satisfied with your purchase, we are willing to accept returns.

For more information on our return policies, please visit our FAQ page.

This item ships free to the continental US, and globally for a flat-rate fee of $100.

All objects are packed with utmost care by our team of expert fine art shippers. All items are shipped with parcel insurance.

For more information on our shipping policies, please visit our FAQ Page.

All of our objects look even more stunning in person!

However, in case you are not satisfied with your purchase, we are willing to accept returns.

For more information on our return policies, please visit our FAQ page.