When examining this bowl, it’s easy to see why Daisy Makeig-Jones’s whimsical lustrewares resonated so much with a British middle class who wished to escape the horrors of World War I. This lively bowl, covered in a beautiful ‘mixed blue’ lustre glaze, provides a retreat to an underwater world of swimming fish, lobsters, a gilded coral reef, and plenty of tiny bubbles. When comparing this bowl to Makeig-Jones’s Ordinary Lustre line, we can see the beginnings of experimentation in design, color, and composition that surface on her later, more elaborate Fairyland Lustres.
When examining this bowl, it’s easy to see why Daisy Makeig-Jones’s whimsical lustrewares resonated so much with a British middle class who wished to escape the horrors of World War I. This lively bowl, covered in a beautiful ‘mixed blue’ lustre glaze, provides a retreat to an underwater world of swimming fish, lobsters, a gilded coral reef, and plenty of tiny bubbles. When comparing this bowl to Makeig-Jones’s Ordinary Lustre line, we can see the beginnings of experimentation in design, color, and composition that surface on her later, more elaborate Fairyland Lustres.
Essay
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Condition
Excellent. Some very minor gilt wear to a few fish in the center.
For a detailed condition report, please contact us.
Provenance
The Collection of Dr. Ellis F. Rubin and Suzanne Borow Rubin
Literature
Una des Fontaines, Wedgwood Fairyland Lustre: the Work of Daisy-Makeig Jones (New York: Born-Hawes, 1975), 79.
Excellent. Some very minor gilt wear to a few fish in the center.
For a detailed condition report, please contact us.
The Collection of Dr. Ellis F. Rubin and Suzanne Borow Rubin
Una des Fontaines, Wedgwood Fairyland Lustre: the Work of Daisy-Makeig Jones (New York: Born-Hawes, 1975), 79.
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An essay for this object is forthcoming. Sign up for our email list to be the first to know when this essay is published!
Thank you!
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